
Intentional Clipping (The “Anti-Compressor”)
We often reach for a compressor when we’re looking to control dynamics. While compression is great for tone and glue, it is actually quite poor

We often reach for a compressor when we’re looking to control dynamics. While compression is great for tone and glue, it is actually quite poor

In mixing, we often speak about left/right (width) and top/bottom (frequency), but the “Z-axis” (front/back) is often overlooked. Today, we’ll discuss how to push sounds

Today, we’re going to talk about Sidechaining. But instead of sidechaining the bass to the kick, we will be using “ghost” (muted) trigger tracks to

Picture this: You’ve nailed your mix. But when you play it back-to-back with some of your favourite songs, something is still missing. That’s where mastering

If you’ve ever tried to get your tracks loud enough for streaming platforms, you’ve likely encountered two essential tools: clippers and limiters. Both can help

Parallel processing is one of the most powerful tools in modern mixing, but it’s also one of the easiest to overdo. When used properly, it

Welcome back to Compression Explained. In the first three editions, we’ve covered how to think about compression, how to shape sounds with attack, release, threshold,

Welcome back to Compression Explained. In the past two editions, we’ve covered how to think about compression and how to shape sounds with attack, release,

Compression is one of the most powerful tools in your audio toolkit, it is also the most misunderstood. Today we’re going to talk about these

Today’s focus: attack and release settings in compression. A lot of people think compression is just about controlling volume or smoothing dynamics. But the real