Professional productions often sound huge because the arrangements are actually quite small… Don’t believe me? Today, we’ll look into the “Delete” key as a production
Today, we’re going to talk about Sidechaining. But instead of sidechaining the bass to the kick, we will be using “ghost” (muted) trigger tracks to
Did you know that when a mix sounds powerful and balanced at conversation level, it will sound massive at live venues, festivals, and clubs? The
Most of our students reach for a subtractive EQ when a sound is “thin” or “dull.” But I would argue that many EQ problems are
Mixing fatigue is the silent killer of great mixes. After hours in the studio, your ears get tired, your judgment blurs, and suddenly, that perfect
Parallel processing is one of the most powerful tools in modern mixing, but it’s also one of the easiest to overdo. When used properly, it
When your mix isn’t hitting quite right, it’s tempting to throw a limiter, compressor, or EQ on the mix bus and call it a day.
Many producers think mixing starts once all the parts are recorded, but the truth is, your mix begins the moment you start arranging. If your
Table of Contents What does a music producer do? Is education important for a music producer? What is required to become a music producer? How
This week, let’s talk about a simple but powerful way to improve your workflow in by creating custom channel strips for your busses. When working
