How to Release an Album: Key Tips for Independent Musicians
April 16, 2021
Releasing an album is a big deal. It’s a lot of work and requires planning. But it’s totally worth it. And totally doable. I want
Blog - Page 5 of 27 - Mastering.com
How to Use Melodyne: Pitch Correction 101
March 26, 2021
If you want to make pro music, you can’t have out-of-tune vocals. Messy vocals sound amateur, like you didn’t try hard enough. Today you’ll learn
Shure SM57 Review: The Workhorse of Pro Audio
March 19, 2021
Walk into any professional recording studio and you’ll probably see a Shure SM57. In fact, I can almost guarantee the studio owns at least one
The Proximity Effect: Recording Basics for Pro Results
March 12, 2021
You may have heard audio engineers throw around the term “proximity effect.” It sounds complicated, but it’s really not. And it’s something you’ll need to
Mellotron: The Retro Instrument That’s Shaping Modern Music
March 8, 2021
The mellotron may be an old instrument, but it’s all over modern music. Just listen to the score for The Mandalorian If you want to
Free Kontakt Libraries: The 11 Best Free Libraries
March 5, 2021
Looking for high-quality instruments that don’t break the bank? This list of free Kontakt libraries has something for every genre. Even though they’re free, these
How to Clear a Sample: 3 Key Steps
March 1, 2021
There’s a myth in the world of sampling… “It’s totally legal to sample someone else’s song without permission. As long as the sample you use
How to Program Virtual Drums: MIDI Drums 101
February 26, 2021
I used to be anti-virtual instruments. I thought live instruments always sounded better. But I now see the error of my ways, especially when it
Automated Mastering Comparison: LANDR vs eMastered vs Aria
February 22, 2021
Technology and smart people continue to create opportunities for indie musicians. And automated mastering is a great example of that. Back in the day, you’d
5 Step Mastering Chain: Pro Mastering Tips with John Behrens
February 19, 2021
For many musicians, mastering is one of the most mysterious aspects of making music. Is it just about making things louder? What’s the best mastering
