
Compression Explained: Applying What We’ve Learned
Welcome back to Compression Explained. In the first three editions, we’ve covered how to think about compression, how to shape sounds with attack, release, threshold,
Welcome back to Compression Explained. In the first three editions, we’ve covered how to think about compression, how to shape sounds with attack, release, threshold,
Welcome back to Compression Explained. In the past two editions, we’ve covered how to think about compression and how to shape sounds with attack, release,
Compression is one of the most powerful tools in your audio toolkit, it is also the most misunderstood. Today we’re going to talk about these
Today’s focus: attack and release settings in compression. A lot of people think compression is just about controlling volume or smoothing dynamics. But the real
Today’s tip: when it comes to EQ in mastering, less is more. Mastering EQ is not about reshaping a track. It’s about fine-tuning what’s already
Today, let’s talk about compression, and then specifically in mastering. The goal of compression in the mastering stage is not to shape individual sounds, but
Table of Contents What does a music producer do? Is education important for a music producer? What is required to become a music producer? How
This week, let’s talk about a simple but powerful way to improve your workflow in by creating custom channel strips for your busses. When working
Have you ever had an idea for a song, and you know it could be something amazing? It sounds incredible in your mind… You can
A couple weeks ago I talked to you about audio gestalt in mixing. Today, let’s talk about audio gestalt in the production phase. As a