Stop Fixing, Start Breaking: Using Harmonic Distortion to Solve EQ Problems
January 14, 2026
Most of our students reach for a subtractive EQ when a sound is “thin” or “dull.” But I would argue that many EQ problems are
Our Blog Posts
Who cares about mastering?
January 9, 2026
Mastering today is very different to a couple of decades ago. I think people are sometimes confused by the fact that we’re called Mastering.com. We
Mastering music like a pro: Our 4-step framework for flawless masters
January 7, 2026
Picture this: You’ve nailed your mix. But when you play it back-to-back with some of your favourite songs, something is still missing. That’s where mastering
Clipper vs Limiter: Know the Difference
November 12, 2025
If you’ve ever tried to get your tracks loud enough for streaming platforms, you’ve likely encountered two essential tools: clippers and limiters. Both can help
Mix Fatigue Is Real, Here’s How to Avoid It
November 4, 2025
Mixing fatigue is the silent killer of great mixes. After hours in the studio, your ears get tired, your judgment blurs, and suddenly, that perfect
Parallel Processing Done Right
October 28, 2025
Parallel processing is one of the most powerful tools in modern mixing, but it’s also one of the easiest to overdo. When used properly, it
Why Your Mix Bus Isn’t a Magic Fix
October 21, 2025
When your mix isn’t hitting quite right, it’s tempting to throw a limiter, compressor, or EQ on the mix bus and call it a day.
Arrangement Is Mixing: Build Space Into Your Songs
October 15, 2025
Many producers think mixing starts once all the parts are recorded, but the truth is, your mix begins the moment you start arranging. If your
Compression Explained: Applying What We’ve Learned
October 1, 2025
Welcome back to Compression Explained. In the first three editions, we’ve covered how to think about compression, how to shape sounds with attack, release, threshold,
Compression Explained: FET, VCA, Optical, Variable-Mu
September 24, 2025
Welcome back to Compression Explained. In the past two editions, we’ve covered how to think about compression and how to shape sounds with attack, release,
